Gelişmiş Arama

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dc.contributor.advisorUlutak, Nazmi
dc.date.accessioned2021-10-13T06:49:09Z
dc.date.available2021-10-13T06:49:09Z
dc.date.issued2019en_US
dc.date.submitted2019
dc.identifier.urihttps://hdl.handle.net/11421/26202
dc.description.abstractFrustrations with the nationalist discourse seen in Palestinian cinema motivated the research in this study. This thesis took four videos of Palestinian filmmaker and artist Basma Alsharif and discussed that they belong to the video essay genre. The videos were: We Began By Measuring Distance (2009), The Story of Milk and Honey (2011), Farther than the Eye Can See (2012), and Home Movies Gaza (2013). We proposed that Alsharif's video essays give space to an emerging post-colonial and post-structuralist approach to Palestinian filmmaking. This paper introduces that Basma Alsharif's films offer a new cinematic language, thus adding a new dimension to Palestinian cinema. Her films shift away from the dogmatic nationalist discourse to a more personal, subjective and self-reflexive one. It is suggested that Alsharif, through her video essays, opened up the potential to provide a different and unfamiliar approach to the audio-visual experience of Palestinians writing (visually) about the Palestinian struggle.en_US
dc.language.isoengen_US
dc.publisherAnadolu Üniversitesi - Sosyal Bilimler Enstitüsüen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectPalestinian Cinemaen_US
dc.subjectVideo Essaysen_US
dc.subjectEssay Filmen_US
dc.subjectBasma Alsharifen_US
dc.subjectGazaen_US
dc.titleHow does Basma Alsharif introduce a new discourse to Palestinian cinema by using video essays?en_US
dc.typemasterThesisen_US
dc.contributor.departmentAnadolu Üniversitesi, Sosyal Bilimler Enstitüsüen_US
dc.relation.publicationcategoryTezen_US
dc.contributor.institutionauthorBarakat, Shereen


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