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dc.contributor.authorSadar, Pina
dc.date.accessioned2014-07-04T11:41:34Z
dc.date.available2014-07-04T11:41:34Z
dc.date.issued2014
dc.identifier.issn13030876
dc.identifier.urihttps://hdl.handle.net/11421/74
dc.description.abstractThrough the discourse analysis of the Turkish stories Jurij Kozjak, slovenski janičar (1864) and Miklova Zala: zgodba iz turških časov (1884), the research aims to examine the role of religion and religious otherness in the formation of Slovenian identity. The paper centres on observing the development of a specific heuristic of Orientalism— summarised by Gingrich’s notion of ‘frontier Orientalism’ (1996)—in Slovenian literature and draws the similarities and differences with Edward Said’s noted theoretical paradigm. As this mytho-literary production of ‘imago Turci’ presents a strong basis for contemporary debates on Islam in Slovenian public discourse, the analysis actualises the archaic portrayals of Muslims and observes their reproductions in modern contexts.en_US
dc.language.isoengen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectTurkish Stories Jurij Kozjaken_US
dc.subjectDiscourse analysisen_US
dc.titleImago Turci’ in Christian Sloveniaen_US
dc.typearticleen_US
dc.relation.journalAnadolu Üniversitesi Sosyal Bilimler Dergisien_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kategorisizen_US


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