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dc.contributor.authorNastova, Irena
dc.contributor.authorGrupce, Orhideja
dc.contributor.authorMinceva-Sukarova, Biljana
dc.contributor.authorKostadinovska, Maja
dc.contributor.authorÖzçatal, Melih
dc.date.accessioned2019-10-22T16:58:43Z
dc.date.available2019-10-22T16:58:43Z
dc.date.issued2015
dc.identifier.issn0924-2031
dc.identifier.issn1873-3697
dc.identifier.urihttps://dx.doi.org/10.1016/j.vibspec.2015.03.005
dc.identifier.urihttps://hdl.handle.net/11421/21581
dc.descriptionWOS: 000356111000006en_US
dc.description.abstractRaman spectroscopy, FTIR spectroscopy and SEM-EDS were applied in characterization of pigments and inks in five old-Slavonic manuscripts: Kicevo Four Gospel (16th century), Zrze Four Gospel (16th/beginning of 17th century), Struga Four Gospel (beginning of 17th century), Krusevo Ochtoechos (second half of 15th century) and Psalter with rituals (beginning of the 16th century). The illuminations used in the first four manuscripts are in so called Balkan style characterized with interlaced rings and floral motifs, with rarely seen, multicolored rubication text: in Kicevo and Zrze Four Gospel manuscripts are written in four colored inks: black-brown, blue, red and purple-red while in Struga and Krusevo Ochtoechos manuscripts is black-brown, blue and red inks. Psalter with rituals is a manuscript from the same period, with typical rubication in red and was included in the study as standard form of manuscript. In addition to several types of gall ink identified as brown-black ink used in the manuscripts, carbon black ink and logwood ink were also identified. In colored inks, azurite or mixture of azurite and indigo were used as blue ink while vermilion or mixture of vermilion and red lead was used as red ink. Another, purple-red ink of organic nature was used as well. The pigments identified in ornaments are: azurite and indigo in blue colors, orpiment as yellow pigment, vermilion, red lead and organic red pigment as reds, while green pigment was identified as organo-Cu complex. Brown-black ink was used for framing the illuminations and illuminated initial letters and pure gold for gilding. In spite of similar style and pigments, slight but characteristic differences in pigments and inks used, suggest different scriptoriaen_US
dc.description.sponsorshipMinistry of Education and Science of Republic of Macedonia [13-3571]en_US
dc.description.sponsorshipThe financial Support of the Ministry of Education and Science of Republic of Macedonia for the project No. 13-3571 is highly appreciated. The help of Zorica Jakovlevska-Spirovska from National and University Library "Sv. Kliment Ohridski and Ilinka Janeva from National Archive-Ohrid in providing manuscripts is acknowledged.en_US
dc.language.isoengen_US
dc.publisherElsevier Science BVen_US
dc.relation.isversionof10.1016/j.vibspec.2015.03.005en_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectOld-Slavonic Manuscriptsen_US
dc.subjectPigmentsen_US
dc.subjectInksen_US
dc.subjectMicro-Raman Spectroscopyen_US
dc.subjectSem-Edsen_US
dc.subjectIr Spectroscopyen_US
dc.titleSpectroscopic analysis of pigments and inks in manuscripts. III. Old-Slavonic manuscripts with multicolored rubicationen_US
dc.typearticleen_US
dc.relation.journalVibrational Spectroscopyen_US
dc.contributor.departmentAnadolu Üniversitesi, Mühendislik Fakültesi, Malzeme Bilimi ve Mühendisliği Bölümüen_US
dc.identifier.volume78en_US
dc.identifier.startpage39en_US
dc.identifier.endpage48en_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US


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