Gelişmiş Arama

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dc.contributor.authorKaraca, Gülçin
dc.date.accessioned2019-10-20T14:28:49Z
dc.date.available2019-10-20T14:28:49Z
dc.date.issued2015
dc.identifier.issn2146-7692
dc.identifier.urihttps://hdl.handle.net/11421/18253
dc.descriptionWOS: 000435156200005en_US
dc.description.abstractIn 21th century, the examples of relational and participatory art works which can be often seen at the bienalles, exhibitions and streets of Europian countries, America and Turkey, don't use the traditional specialities of art. The relational and participatory works aim to make a connection between the viewer and the art work and sometimes between the artist instead of showing the final work of art to the viewer. In this study, how the traditional system of showing the final work of art was started, the period of the museums were occured, if the museums called as public are really public according to the meaning of the concpt of publicity, how the criticisms about museums were began and the period after these comments were researched.en_US
dc.language.isoturen_US
dc.publisherAnadolu Universityen_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectPublicen_US
dc.subjectMuseumen_US
dc.subjectArten_US
dc.titleThe Criticism of Publicness of Museums By Arten_US
dc.typearticleen_US
dc.relation.journalAnadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Designen_US
dc.contributor.departmentAnadolu Üniversitesi, Güzel Sanatlar Fakültesi, Baskı Sanatları Bölümüen_US
dc.identifier.volume5en_US
dc.identifier.issue8en_US
dc.identifier.startpage63en_US
dc.identifier.endpage73en_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US]


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