dc.contributor.author | Edeer, Semsettin | |
dc.date.accessioned | 2019-10-19T19:56:32Z | |
dc.date.available | 2019-10-19T19:56:32Z | |
dc.date.issued | 2015 | |
dc.identifier.issn | 2146-7692 | |
dc.identifier.uri | https://hdl.handle.net/11421/14979 | |
dc.description | WOS: 000435156200010 | en_US |
dc.description.abstract | Abidin Dino, who believed in versatility in art, is among the leading artists of the contemporary Turkish art of painting. His art is based on thinking and the evaluation of feelings. He used techniques that are very different from each other within certain themes and performed these works in different fields. This study aims to reveal the role and importance of Abidin Dino's view on art and his works of art dealing with hands in Turkish art of painting. Within this framework, in order to clarify the subject and to make it more understandable, it was aimed to include writers', artists', researchers', and the artist's own views in the study. | en_US |
dc.language.iso | tur | en_US |
dc.publisher | Anadolu University | en_US |
dc.rights | info:eu-repo/semantics/closedAccess | en_US |
dc.subject | Abidin Dino | en_US |
dc.subject | Hands | en_US |
dc.subject | Group D | en_US |
dc.subject | Group Yeniler | en_US |
dc.subject | Drawing | en_US |
dc.title | Abidin Dino and Hands | en_US |
dc.type | article | en_US |
dc.relation.journal | Anadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design | en_US |
dc.contributor.department | Anadolu Üniversitesi, Eğitim Fakültesi, Güzel Sanatlar Eğitimi Bölümü | en_US |
dc.identifier.volume | 5 | en_US |
dc.identifier.issue | 8 | en_US |
dc.identifier.startpage | 150 | en_US |
dc.identifier.endpage | 161 | en_US |
dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | en_US] |